The effect of the print comes from overlaying blocks of 'bokashi' applied by hand during the printing process.

By using two blocks, the multi-layered effect of this print portrays the dense feel of the air under heavy clouds on an autumn day.

The 'Hashira-e' or pllar print format lends itself to the feel of a slice of the sky, from the highest clouds to nearly the horizon. Pale yellow is adeptly employed to give a sunny feel to the upper area of the sky.

An elaborate cloud print, this was carved on several blocks and printed in extensive 'bokashi'.

This is the night-time version of the print 'Akizora' (Autumn Sky). Paul Binnie has adapted it with a moon and stars, with darker shading towards the bottom.

This print is made partly in the reduction technique: the edition can never be reprinted because the block is destroyed in the process of applying layer upon layer of pigment, carving it smaller each time, such as the effect of the mica-streaks of rain.

‘Yuyake’ (Afterglow) is a new version of an older design, Akizora and Yozora, and shows the moment after sunset when the sky is still full of fading light.

This 'kacho-go' (or flower-and-bird) print is a study of orchids. In 'hosoban' format, two versions are available, in two different colour schemes. This one is inspired by the artists in the publisher Hasegawa's stable.

This is the second version of 'Asa no ran' (Orchids - Morning). The black background of this version seems both more modern and dramatic. Here, the petals have a lilac tinge to the blue shadows.

One of Binnie's smallest prints, this design is based on a former print, 'Miyajima'. This edition is in an open edition.

The model is trying on a 'hanten' (padded jacket), in shade of pale purple with a black velvet collar. The obi has a silver metallic pigment.

The idea of 'floating' brings to mind the Floating World, or 'Ukiyo-e'.